Retreading the path to Glory

My approach to this blog has usually been video and commentary, show and tell if you will. This week I offer an aberration and a State of the Union, inspired somewhat by Grantland’s excellent The Masked Man. As he concerns himself with story telling, I’m all bout the style.

I am not just a wrestling fan; I’m a music fan to. Back in the mid nineties I had a favourite band, The Ataris. Being a punk I loved their attitude, their “for the cause” realism matched up with explosive pop punk. They had shows that where joyous parties of exclamation. They rocked in short. Then they signed to a major. Their attitude changed somewhat. It was slow, but I saw every faltering step. By their second album on the major they had essentially split up. I felt for them, all they wanted was a bigger audience after all, but I knew that would be the way things played out. I had a slight sense of disappointment when they joined up to the major. It wasn’t that I thought they’d sold out; it was that I thought they wouldn’t be treated right. I have seen to many bands fall by the wayside or seem out of their depth, a story in Kerrang confirmed it to me; gone was the relaxed attitude, the turning up late for interviews and goofing off, on was the serious face of being a professional rock musician. I feel the same way about wrestlers that go to Vince after being darlings of the indie circuit. Certainly it felt that way people came up from ECW around the same time as my beloved Atari’s signed with Columbia. Essentially though it was the same thing, some drowned, some made it. A lot of that was to do with Vince Macmahon and talent relations. However for every Mick Foley that got down to work to reinvent themselves, there was a Dean Douglas who got lost in the shuffle. Whose fault is it? The front office? The wrestler? The fans for not caring enough? As Paul Heyman recently let loose on his twitter feed, wrestlers need to take every opportunity afforded to them. Looking back at the great careers of the past, indeed of the people who made me fans. I look at every open door the purposefully strode across. Would Dynamite have had as many great matches in his career had he not got on the plane to Canada? What would have happened if Ric Flair had staid in Minnesota? If Hulk Hogan hadn’t had been pushed into taking the job with WWF by Verne Gagne? This is where as a wrestling fan thing gets tricky, you can hate Vince for what he did to the territories, but he only really put out of the business the men who didn’t happen to be hungry enough, or the places in which his product did not relate to its audience. This is especially true of Japan, the style doesn’t work and they are all hungrier than he is. All these opportunities, some times they come, and some times they go. Two guys who have had opportunities most recently at the highest level are Colt Cabana and CM Punk. The NWA and WWE Champions and two best friends who this week presented the Art of Wrestling podcast and essentially explained not only the differences between being today’s NWA champion and WWE champions, but as representatives of their respective styles of wrestling. Back in the eighties when the territories crumbled, it took with it individual booking styles. They way things could be presented varied all over the world. When WWE became top dog essentially that was all we had left for mainstream consumption. The WWE became the biggest thing in the world and that too many people is wrestling. Not to me though, I would fantasise about matches between Wayne Bridges and Hulk Hogan (Joint and WWE world Champs) as I tried to figure out in my little kayfabe heart where everything lay. Out of the ashes of the territories though grew and underground. Just like in music, more specifically Punk. The underground is currently represented by Cabana as NWA champion, king of the Indies, most popular worker in the North America outside of the WWE bubble, probably in the UK to aside from the darlings of TNA. CM Punk is probably the most popular wrestler in the world aside from John Cena. They both learned how to wrestle at the same time; they both went to the same school and gyms and still do. They are both self made men. What they have done for the wrestling industry is bring the mainstream a little closer to the underground (Punk) and given the underground a model from which to work (Cabana). So what I hear you cry has this got do with British wrestling? The links in the chain go through Punk, Cabana and indeed Chris Hero, Daniel Bryan, Claudio Castignoli, Sara Del Ray, Mike Qaukenbush, Davey Richards, Eddie Edwards, Samoa Joe, Austin Aries and many more. This generation of stars took influence from what came before, but never have so many given credit to the people who it was due to. They name check their heroes and heroines constantly and encourage their research in the finer arts of pro wrestling. They look back at the glory days of British Wrestling and bring it full circle; they find people like Robbie Brookside, Les Thatcher and Steve Regal and encourage them to train themselves and others. Their hard work and dedication to British pro wrestling is paramount into revitalising what was once thought of as a dead style. When the FWA was a fledgling promotion I remember Power Slam magazine reviewing one of their cards, exclaiming that the match between Johnny Saint and Steve Grey was an anachronism to that spoiled the card of excellent wrestling in the ECW style. Putting that match on then it turns out was around fifteen years to early. LDN wrestling recently put on a match with Johnny Kidd and Johnny Saint that tore the house down as people now had something to appreciate in the sense of history. They didn’t learn it from Saturday afternoon ITV broadcasts. they learnt it from youtube, they learnt it from watching and listening to Steve Regal, they learnt it and watched it from Daniel Bryan, CM Punk, Colt Cabana and Chris Hero. These men who loved our wrestling more than we did; enough to embrace it, reinvent it, cross breed it, develop it and produce something new.

When Punk went full on mainstream last summer, and more so when Daniel Bryan did, that evolution was complete. Looking around the wrestling world we have a mat technician in Austin Aries in the main event of the next TNA PPV, Bryan and Punk at the very top of the card in the WWE, Cabana as NWA Champ. Castignoli and Hero ready to be reborn to that new audience. Of course I still feel protective of some talents, just like my small and perfectly formed punk bands. Would Sara Del Ray make it in the WWE? I think so, would she want to be a WWE Superstar is another question. The woman who helped reinvent Joshi for a new North American audience is unlikely to want to be considered a Diva, but then again Punk only ever wanted to be a wrestler and he managed to make that change in the WWE happen. Back home we have the strongest scene we have had for a very long time; I just hope it remembers its roots as well as our friends cross the pond do.                     

Six of the Best; Top of the Mountain

So what is the greatest moment in British Pro Wrestling history? Most people would find it hard to argue with this particular moment; Bret Hart and Davey Boy Smith for the WWF Intercontinental Title. For Davey it was the culmination of a long cmid card career, finally cracking the main event window. For Vince McMahon it cemented his control of the British market something he had being trying to crack since 1988. For Bret it was his Intercontinental swan song before moving up to the main event full time. For British wrestling one of its own had a major card Main event for a major foreign company at Heavyweight. Something that only Billy Robinson had done before in All Japan.



Summerslam Bret Hart vs British Bulldog (RIP) by BHH


 Looking at this match for the first time in 20 years I am reminded how great the WWF(E) can make a title match, and to make it matter. I am also reminded of Bret’s cooler than cool pre match ritual. 80,000 on hand, as they say for this match; easily the biggest drawing card in the UK ever and the scope of the whole project was a risk for Vince. He had taken bigger risks before and as Jim Ross has stated this card is unlikely to ever happen again. The intensity of this match also shows in the way Bret and Davey work each other. The other striking issue is that of the three people in the ring two are no longer with us. Referee Joey Morella passed in a car accident and Davey Boy has also passed, but if you are looking back at a mans body of work, you can say that they both performed at the highest level and here is the proof. Bret’s excellence is a throw back as well to the matches that made his name in New Japan alongside Davey ten years earlier. That training ground stood them both well. The issue for Davey was coming over as a technical wrestler again after a year of chasing power houses like the Warlord round the block in matches that could not be that good because of the limitations of his opponent. Bret had of course a plethora of scientific opponents since taking the title from Curt Hennig two years earlier. There is also a throwback to Davey’s days as a British middleweight; the pop for the straight arm lift is straight out of the Johnny Saint playbook. For Bret, who got over as a face by being showing heavy work rate and heart, playing the subtle heel was as easy as falling off a log and a precursor to his days as American heel/Canadian face. On this night though that was a long way off. Bret’s comeback starts with a not illegal but not really very nice low knee, telling the story of his willingness to keep his title.

 Both Davey and Bret had wrestled in front of more people; Wrestlemania 3 was 93,000, and probably had better matches. The Hart Foundation vs Bulldogs title matches when both happened to be five years younger and much more active between the ropes. The WWF style though takes time to develop, and this is perhaps one of the best examples of why a tag team division is important. This match certainly changed the main event picture in WWE. This kind of match, and these kind of wrestlers where to become the norm really until the Attitude era pushed things more towards brawling than technical wrestling. The next round of main eventers Davey, Shawn Michaels, Curt Henning where all sound technical performers who had gone under appreciated in the prior era of muscled freak-dom. There was of course The Undertaker, but looking back will anyone miss Lex Luger, Ludvig Borga and The Beserker? This match includes Davey’s first trip to the top rope since about 1988. Vince’s misleading whiley veteran line, Bret was as experienced as Davey at this point, but the excellence of execution was being pushed as the best wrestler in the business, which arguably he was.

The shot of Diana Hart-Smith looking like she needs a good curry does get annoying after a while, but it is part of that whole big fight experience. What was amazing is the classic Hart Foundation big hair pull which he Bret hadn’t used on television since wrestling the Rockers in New York two years earlier. Davey’s power based attack that had been his calling card against the Warlord is mixed in with elements of technical work from back in the day. The Crucifix pin attempt being seen back in the middle weight title eliminator we looked at with Dave Finlay back in the late seventies. The belly to back suplex from Bret, not seen regularly in his arsenal since the early eighties, makes a come back here as Bret is desperate to cling on to the title. The match ends with the most British of all pin attempts, a folding press, and a nod from Davey to times past no doubt. However the match goes beyond historical viewing points. You would have to say that Davey was the most successful of the British wrestlers from that era in terms of drawing money, the only thing that really counts. His development to a main event wrestler was cultivated through luck and judgement after leaving the Bulldogs tag team and unceremoniously dumping The Dynamite Kid in a real life heel turn that is quite shocking to believe. Due to head out got the Real World Tag League in the late eighties Dynamite was never sent a ticket as Davey had told All Japan he had been in a car accident. Davey’s return to the WWF started a slow drag to the main event where he found a niche in the market as a big guy who could wrestle, as the size of main eventers dropped in the mid nineties this became an asset as a heel and as Camp Cornette and the Hart Foundation Davey had a flourishing end to his career. That about wraps it up for this time grapple fans. When we come back as we have reached the top then we have to stop and start all over again. Have a good time, till the next time.

Six of the Best; Bus Man's Holiday

So we have established that the Six where worthy main eventers in the UK, so what made them so special not just to us but fans around the world? Well, their ability to change styles as time demanded, their unique characters, but their base instincts for adapting to a wrestler and adapting to an audience. They where all incredibly gifted workers, and they could make matches with anyone but when they had the right opponent, they could change wrestling history. One man was the equal to three of the six and bested them more often than not in his homeland Japan. This episode looks at three of the Six and three of their matches with Satoru Sayama. It has to start of course in New Japan. Well Madison Square Garden in 1982. This was a rare Stateside defence of the WWF Jnr. Heavyweight title, the most prestigious Junior Heavyweight title in the world at the time so without further ado, Howard away you go.





This is not their best match, but in a feud that lasted three years its hard to pick just one. This one had the most effect though, the audience was not NJPW regulars, it was the biggest audience in the world in the worlds most exposed wrestling market. Perhaps most importantly it was the audience of one, Vince MacMahon Jr., that was most impressed, telling Dynamite later that it was the “greatest match he had ever seen”. This was at the height of their feud and they knew each other so well they could put together a five star classic in seven minutes. The near miss kick out from Dynamite tells the story in itself, they where both that close. Dynamite doesn't really come off as the viscous heel he portrayed in Japan, there are elements of it there though. Having watched so much of his British stuff lately, you get the feeling it was just his style, never, ever back down. Not really breaking the rules as trying to run right over them. Sayama of course is Sayama, his aerial style honed in Mexico, his mat work honed in England, his striking honed in Japan, NJPW spent a lot of time perfecting him as wrestler and it shows. The WWF Jnr. Title would be his for the taking once Tatsumi Fujinami moved up to heavyweight, and as that was he who Dynamite had been chasing in his early NJPW forays he took the chase to Tiger Mask. The result was genius and brought together the perfect mix of styles, Dynamites submission versus Tiger Masks strikes and their more or less equal aerial majesty. The effect was breathtaking. It single handedly gave Jnr. Heavyweights a voice outside of the UK for the first time since Danny Hodge was NWA Light-heavyweight champion, and more importantly attracted the top stars from around the world to the hottest Jnr. Division on the planet. Including . . .


 


Mark Rocco did not have the same Japan connection that Dynamite did, Rocco came by way of the Crabtree's, eager to get shot of him after he had unfortunately split somebody open the hard way and caused a ruction with ITV. Meanwhile NJPW where expanding the Tiger Mask Universe. The original Tiger Mask was an Animé character. A masked Japanese Pro who wrestles as a heel in the US, but turns face at the bequest of his son in Japan. His arch nemesis was Black Tiger, so if it worked once in cartoon form . . . All we need is a guy who can work a similar style and go just as hard as Dynamite. . . hello is that Lancashire? Rocco had a very successful run as Black Tiger, which culminated in a WWF Jnr. Title reign in a tournament title for the vacated belt. We shall get to that in a second. As Dynamite spent a lot of time tending to Calgary and had some injury worries, Black Tiger filled the hole of top heel in the division. His heel-ish ways transferring well in what is more or less a direct transfer of his match style. What made things better for him there was no Mount -Evans rules to hold him back. This was Rocco with the breaks off. The flipside of that is though that as a heel if half the heel-ish things you do are now legal you have to up the volume elsewhere to get the heat, add in the mask which hide his facial expressions and therefore half his charm and it could have been real trouble. Much like Chris Jericho found out a few years later when NJPW tried to introduce Super Liger. Rocco though proved his worth, enough that when Sayama and even Dynamite moved on he become the chosen one.


 


So how did Mark become the chosen one? Surely with two class acts like Dynamite and Tiger Mask, the two hottest properties in town you don't let them go do you? Oh yes you can. Thanks to this kick, Akira Maeda was out of a job. What he did next was form a company that not only changed wrestling but the whole aspect of martial arts world wide. They formed a seed that would become MMA as we know it, as well as having a long lasting effect on the wrestling business. Maeda's issues in New Japan stemmed from a reluctance to put new men at the top of the card by then booker Ricki Chosu, he was also not fond of the NJPW Strong Style that was the companies mainstay. What Maeda wanted to do was to work an environment that supported a more realistic mat game, something stiffer and more like wrestling used to be in its original incarnation, this shoot style would become the original Universal Wrestling Promotion of Japan. His wrestling masters at NJPW would not allow such a thing to happen so with perhaps the most direct resignation letter in history (a kick to the face on national TV) he was let go and he took several young NJPW regulars with him, including Sayama. This left Dynamite as the top dog (if you will pardon the pun) and he went on to win the vacated title. Sayama for his part actually tried to persuade Dynamite to go with him, but Dynamite saw the risk and staid where he was until someone came calling. That someone would be Giant Baba, with a briefcase full of money and a guaranteed tour fee. Dynamite seeing how strong All Japan had become, seeing his greatest opponent leave and realising his high impact style maybe better suited to All Japan and its regular income decided to up ship and move taking Davey Boy with him. This left the new UWF in a hole, Dynamite was Tiger Mask's, now for contractual reasons Super Tiger, best money making opponent. But who could excel at a more mat based style with, no aerials and no pin falls, who could take a lot of punishment and make others look great while getting himself over? Hello is that Lancashire again? We seem to need a Mid-heavyweight shooter with a string track record of mat wrestling. Marty Jones? That will do nicely.





Marty actually doesn’t have to change his style that much, aside from not having to run the ropes, it is pretty much what you would expect to see him do in Croydon. Les Kellet never hit this hard though. Sayama is clearly trying to kick through brick walls, but the match itself is a good set piece of give and take one-upmanship the kind that Jones excelled at with Mark Rocco and Dave Finlay. He even tries the power lock but has to settle for an Indian death lock, but notice how the crowd turn to him through the match, only ever a face, he had no bother in getting the crowd on his side with one well placed stiff slap and his clear submissions advantage.



Of course with Tiger and Dynamite gone it left an even bigger hole for NJPW. It was filled by, you've guessed it, Mark Rocco who won the vacated title and began a series with the Cobra that continued the momentum that Dynamite and Tiger Mask had started. These matches sum up what could be achieved by British wrestling at the time, the ability to adapt had come from many different catch weight contests from international competitors in different towns all over the country. Put them in a mask, change the rules, give them the biggest audience in the world and they could prove they where the best.

Have a good time till next time grapple fans.